We regularly add tracks that are popular in the milongas.
Argentine tango music is much more varied than ballroom tango music. A large amount of tango music has been composed by a variety of different orchestras over the last century. Not only is there a large volume of music, there is a breadth of stylistic differences between these orchestras as well, which makes it easier for Argentine tango dancers to spend the whole night dancing only Argentine tango. The four representative schools of the Argentine tango music are Di Sarli, d’Arienzo, Troilo and Pugliese, all four descendent from Italian immigrant families. They are dance orchestras, playing music for dancing. When the spirit of the music is characterized by counterpoint marking, clarity in the articulation is needed. It has a clear, repetitive pulse or beat, a strong tango-rhythm which is based on the 2×4, 2 strong beats on 4 (dos por cuatro). Ástor Piazzolla stretched the classical harmony and counterpoint and moved the tango from the dance floor to the concert stage. His compositions tell us something of our contemporary life and dancing it relates much to modern dance.
While Argentine tango dancing has historically been danced to tango music, such as that produced by such orchestra leaders as Osvaldo Pugliese, Carlos di Sarli, Juan d’Arienzo, in the ’90s a younger generation of tango dancers began dancing tango steps to alternatives to tango music; music from other genres like, “world music”, “electro-tango”, “experimental rock”, “trip hop”, and “blues”, to name a few. Tango nuevo dance is often associated with alternative music, see nuevo tango, but it can be danced to tango as well.
List of tango bandleaders during the Golden Age of tango:
Alberto Di Paulo
Alfredo De Angelis
Carlos di Sarli
Juan Maglio Pacho
Enrique Mario Francini
Jose Garcia Y Sus Zorros Grices
Juan de Dios Filiberto
Julio de Caro
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